Theory in Contemporary Art since 1985 is a groundbreaking anthology that captures the essence and the edge of the contemporary art scene. Provides the first truly comprehensive and international anthology of theory in contemporary art of the last two decades. Brings together a broad selection of important contributions to the fields of contemporary art, theory, and cultur...(展开全部)

Approaches the recent resurgence of the fantastic in Chinese cinemas Offers the framework of ‘Sino-enchantment’ as a new theoretical lens through which readers can engage elements of the fantastic in Chinese cinema Addresses the increasing prominence of fantastic narratives, imagery and styles in Chinese films Interested not simply in CGI effects, but as much in the ideological...(展开全部)

Starting with photography in 1958, Zdzislaw Beksinski established himself as a worldwide phenonmenon and Poland's leading contemporary artist. Beksinski's fantastic works are among his best-known, and the paintings collected in The Fantastic Art Of Beksinski reveal unforgettable images of postapocalyptic landscapes obsessively packed with death and decay. Haunting, surreal, a...(展开全部)

This art book captures 30 years in the career of Polish artist Zdzislaw Beksinski. The subject matter ranges from apocalyptic landscapes with towering edifices and zombie-like figures, to scenes of ghostly calm. His haunting, surreal works convey a sense of mystery and are often disturbingly dark.

This art book captures 30 years in the career of Polish artist Zdzislaw Beksinski. The subject matter ranges from apocalyptic landscapes with towering edifices and zombie-like figures, to scenes of ghostly calm. His haunting, surreal works convey a sense of mystery and are often disturbingly dark.

Starting with photography in 1958, Zdzislaw Beksinski established himself as a worldwide phenonmenon and Poland's leading contemporary artist. Beksinski's fantastic works are among his best-known, and the paintings collected in The Fantastic Art Of Beksinski reveal unforgettable images of postapocalyptic landscapes obsessively packed with death and decay. Haunting, surreal, a...(展开全部)

夏洛特?伯纳姆-卡特（Charlotte Bonham-Carter），2003 年在美国伊利诺伊州埃文斯顿的西北大学获得英语文学学士学位，2006 年在伦敦的皇家艺术学院获得当代艺术策展管理硕士学位。经常为多家国际性的艺术出版物撰稿，包括《艺术快报》、《当代艺术》、《无题》、《艺术通讯》和《CIRCA》艺术杂志，还为英国国立肖像美术馆出版的《今日肖像》供稿。她参与撰写或主编的艺术展览目录手册数量众多，并在爱尔兰现代艺术博物馆合作策划推出过“精美尸体”主题展。此前为伦敦“外堡”（Barbican）艺廊的助理馆长，现就职于伦敦当代艺术协会，担任助理馆长。她同时负责编辑伦敦当代艺术协会的视觉艺术出版物《罗兰》。 大卫?霍奇（David Hodge），艺术史博士，主攻的课题为罗伯特?莫里斯（Robert Morris，美国雕塑家、观念艺术家）在20 世纪6...(展开全部)

Without doubt, the international contemporary art stage increases annually, drawing new crowds and new interest. Whilst enticing, contemporary art can be bewildering. This accessible and beautifully produced guide will pinpoint key artists and events, and so help demystify a generation of rapid change in the art world. The A-Z listing (by artist's name) will feature 200 of the ...(展开全部)

Once at the margins of the art world, film now occupies a prominent place in museums and galleries. Exhibiting Cinema in Contemporary Art explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies’ great disciplinary obsession—n...(展开全部)